A classical dance-drama style from Kerala in south India.
Katha means 'story', while kali is the enacting of stories
through mime and movement. Kathakali is not performed
by a solo dancer, as in Bharatanatyam or Odissi. Traditionally
a male-only dance artform, the most striking aspect of
Kathakali is its overwhelming dramatic quality and it
has often been referred to as 'the theatre of imagination.'
Kathakali in its present form dates back approximately
400 years. Kathakali is a product of various dance styles,
martial arts and folk traditions from both Aryan and
Dravidian cultures. Kathakali largely owes its present
form to two 17th century kings: the King of Calicut,
a devotee of Lord Krishna, wrote plays about his life
which evolved a technique of presentation called Krishnattam.
However, he would not allow his troupe to perform outside
the boundaries of his kingdom. This prompted another
king, ruler of Kottarakara to write plays on Rama, known
as Ramanattam. These plays developed into Kathakali's
system of mime and dance technique.
Kathakali technique is elaborate and stylised. Pure
dance is rigorous and precise. Dancing is done on the
outside of the feet, with the knees in a turned-out
position. Kicks, jumps and leg extensions are used.
Dramatic leaps and swaying movements are also characteristic.
The dance space is usually covered in a series of squares,
rectangles or circles executed to set rhythmic cycles.
Costumes and make-up are elaborate, stylised and unique.
The colours of the make-up denote certain characteristics
while the costume is symbolic, with green coloured faces
referring to good, valiant characters and patches of
red around the lip denoting evil, villainous ones. Kathakali
performances are usually accompanied by drums and cymbals,
and devotional songs and prayers are sung in accordance
with the enacted play.
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